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Showing posts with label Guzaarish. Show all posts

Wednesday, November 17, 2010

Guzaarish Movie Review - By Taran Adarsh

Cast:
HRITHIK ROSHAN
AISHWARYA RAI BACHCHAN

Crew:
Producers: UTV and Sanjay Leela Bhansali
Director: Sanjay Leela Bhansali


Releasing on Nov19th 2010 (Worldwide)
& 16th Nov in Middle East
Source - Bollywood Hungama

Rating - 4/5


Bollywood appears to be inclined towards exploring rare illnesses/disorders/disabilities, with directors casting megastars in characters to raise awareness about the lesser-known ailments. In GHAJINI, Aamir Khan had short-term memory loss [Anterograde Amnesia]. In PAA, Amitabh Bachchan played a child afflicted with Progeria. In MY NAME IS KHAN, SRK was shown suffering from Asperger Syndrome. In TAARE ZAMEEN PAR, Aamir Khan portrayed problems of Dyslexic children. In BLACK, Amitabh Bachchan was shown succumbing to Alzheimer's. In KARTHIK CALLING KARTHIK, Farhan Akhtar portrayed a Schizophrenic.

This is not the first time that master film-maker Sanjay Leela Bhansali has attempted a movie that has the protagonist suffering from a serious disability. In GUZAARISH, Hrithik Roshan suffers from Paraplegia, a complete paralysis of the lower half of the body, including both legs, usually caused by damage/injury to the spinal cord.

Bhansali has always been known for two things. The first thing is, of course, the visual splendour in his films [which was quite evident in HUM DIL DE CHUKE SANAM, DEVDAS and SAAWARIYA] and the second thing that he takes inspiration from various stories. The critically acclaimed BLACK was inspired from THE MIRACLE WORKER [a 1962 film] and SAAWARIYA from 'White Nights', a Russian short story.

There's talk that GUZAARISH is a remake of Christopher Nolan's Hollywood movie THE PRESTIGE, which, let me clarify, it is not. GUZAARISH brings back memories of two films, which may be coincidental: The Spanish Oscar and Golden Globe winning film MAR ADENTRO aka THE SEA INSIDE [2004], which, in turn, was based on a real-life story of Ramon Sampedro and WHOSE LIFE IS IT ANYWAY?, a television play which was later adapted into a play [theatre] and much later into a film [1981].

Bhansali has worked himself to the grind and his presence is felt in every frame of GUZAARISH. There is an inimitable intellect that Bhansali brings to his movies. Bhansali is also known to extract the best performances from his actors. In a light-hearted vein, I would go to the extent of saying that Bhansali has the ability to make a dumb man speak and a sightless man see. His devotion and dedication towards his craft is truly inspirational and motivating. In GUZAARISH, Bhansali puts behind all the glitter and glamour and comes up with yet another unique and sensitive story told through a series of flashbacks.

Final word? GUZAARISH is special in more ways than one. In my individualistic opinion, it easily ranks amongst Bhansali's best works so far. Just don't miss this one!

Set in Goa, it tells the story of an accomplished magician Ethan Mascarenhas [Hrithik Roshan]. Ethan suffers serious injuries when one of his magical trick goes horribly wrong, turning him to a Paraplegic. Confined to a wheel chair, Ethan becomes a Radio Jockey at an FM Station called Radio Zindagi. His show talks of hope, laughter and sunshine and it's difficult to imagine that the man behind it has been immobilized with a spinal injury for the last fourteen years of his life. Sofia [Aishwarya Rai Bachchan], a nurse, takes good care of him; they share a silent love.

Ethan files a petition in court for mercy killing. This decision of Ethan leaves Sofia stunned. Ethan takes the help of friend-lawyer Devyani [Shernaz Patel] to support his appeal. Even Ethan's mother Isabel [Nafisa Ali] supports him in his petition, although Ethan is persuaded by his physician Dr. Nayak [Suhel Seth] to retract his case. Alongside all this, Omar [Aditya Roy Kapur] enters Ethan's life with the aim of learning magic from him. Impressed by Omar's love for magic, Ethan agrees to pass on his legacy to him.

Only a sensitive raconteur can do absolute justice to a challenging subject like the one in GUZAARISH and Bhansali seems the right candidate for an extremely tricky theme like mercy killing/Euthanasia. The story is complex and can only be narrated by a storyteller who has the art of telling stories most convincingly. Sure, the protagonist in GUZAARISH wants to end his existence, but that doesn't mean the film is disheartening or unsettling. Clearly, the writing [screenplay: Bhavani Iyer and Bhansali] is smart, taut and absorbing.


GUZAARISH has a number of sequences that bear the unmistakable stamp of a genius. Sample these…
* The courtroom sequence and Aishwarya's outburst towards the end of it.
* The hearing of the petition at Hrithik's house.
* Hrithik's act going wrong and the near-fatal accident.
* The finale.

Any negatives? The generous usage of English in the narrative. The language is sure to act as a barrier in the hinterland specially. Agreed, the film is set in Goa, they are bound to speak that language, but despite everything, Hindi is a must for a pan-India appeal.

Irrespective of how his films fare at the box-office, Bhansali's films have always been embellished with rich and cherished music. The songs continue to linger in the hearts of the listeners with their dulcet and soothing tunes. After legendary Satyajit Ray and Vishal Bhardwaj, Bhansali is the next accomplished film-maker who has himself created the music of his film. The songs in GUZAARISH are more inclined towards poetry that's earthy and contemporary. However, it does take some time for the listeners to sense the pulse of the music. 'Tera Zikr Hai Ya Itra Hai' is a limerick to exquisiteness, 'Sau Gram Zindagi', with its philosophical tone, leaves a lasting impression, the title track 'Guzaarish' casts a spell on you and 'Udi' is, of course, memorable.

It must have been an arduous task for Hrithik to carry off the Paraplegic character of Ethan Mascarenhas, but he depicts the part with flourish. It's a great risk in filmy norms to have the hero of the film almost entirely on a wheel chair, but Hrithik has never hesitated or been irresolute in putting himself to adverse conditions, in order to achieve excellence, in whatever character he chooses to depict. Kudos to Hrithik for accepting a role that's truly opposite to his larger-than-life image and portraying it with elan.
Aishwarya, as Ethan's nurse who is the epicenter of his world, has approached this role with rare understanding, not going overboard even once. So effective is she that she not only influences you but also compels you to believe that their love is solid in its quiet strength and also spirited in their verbal sparring. The sensational chemistry, which sizzled the silver screen in DHOOM 2 and JODHAA AKBAR and won hearts all over, sizzles yet again, but this time in a distinctive aspect.

Aditya Roy Kapur is truly outstanding in a pivotal character. Shernaz Patel is exceptional. Nafisa Ali makes her presence felt in a small but significant role. Suhel Seth is in terrific form. Moni Kangana Dutta is okay. Vijay Crishna [judge] is effective. Rajit Kapoor does complete justice to his role. Makarand Deshpande leaves an impression. Ash Chandler and Achint Kaur lend good support.

On the whole, GUZAARISH is an invigorating tale. Bhansali, as a film-maker, has scaled several notches above his past accomplishments to create a near-perfect cinematic experience. The highpoint of the motion picture is the magnificently penned story of an incapacitated and debilitated man who desires to end his being with dignity. The film seduces the viewer with a strong emotional quotient, soulful music and of course, the crackling and wonderful onscreen chemistry between Hrithik and Aishwarya. Without doubt, GUZAARISH is one of the most profound, insightful and enriching dramas of the year.
2:27 AM Posted by Unknown 2

Thursday, November 11, 2010

Hrithik and Aishwarya on High Life Dubai






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10:06 PM Posted by Unknown 1

''Guzaarish'' is a celebration of life: Hrithik Roshan

Dubai, Nov 11 (PTI)



Bollywood star Hrithik Roshan, who plays a paraplegic seeking mercy killing in Sanjay Leela Bhansali''s ''Guzaarish, says the film is a celebration of life.



The film, slated to hit theatres on November 19, depicts the life of a magician who comes terms with his handicap after a magic trick goes wrong."Guzaarish is a celebration of life and it was the paraplegics that I interacted with in preparation of the role that taught me to smile through the worst and see the positive in everything. We''re sure that the audience will pick up on that.It''s a very inspiring story," Hrithik, who alongwith co-star Aishwarya Rai is in the city to promote the movie, told reporters.

Aishwarya, who made a second trip to the city following the premiere of her recently released ''Action Replayy'', said that playing the nurse to Hrithik''s character was a new "creative experience" for her.

"I knew this would be a new creative experience for me. Honestly, this is a story that needs to be told. It''s a strong film and people will like it." She also thanked Bhansali, who had earlier cast her as Paro in the modern version of ''Devdas'', for giving her roles of substance that go beyond pretty faces.

9:57 PM Posted by Unknown 0

Hrithik is full of magic in Guzaarish

By Manjusha Radhakrishnan, Senior Reporter (Gulf News)

Hrithik Roshan isn't just a pretty face on a hot bod. In his latest film, Guzaarish, the heartthrob has a few tricks up his sleeve

Bollywood megastar Hrithik Roshan is strikingly handsome with a sculpted body to boot. But in his latest drama, Guzaarish (Request), Roshan doesn't fall back on his usual crutches. He plays Ethan Mascarenhas, a magician who is severely paralysed. His fuzzy beard hides his well-chiselled features. But the Dhoom 2 star is undeterred.
"You said it: I am not drawing on my usual skills here. Acting in Guzaarish was like an adventure because it allowed me to explore my talents as an actor. Ethan is the happiest man I have played on-screen, and he is the biggest hero I have every played," says Roshan in an interview with tabloid!.

Sound like a hard-sell? Not so much, especially coming from an actor billed as Bollywood's first certified super-hero. His sci-fi thrillers — Koi Mil Gaya and its sequel, Krrish — are considered his biggest hits to date. The films are Bollywood's answer to Superman, with Roshan swooping down skyscrapers in a shiny black body-suit.

"I met the true super-heroes while prepping for my role. I met many quadriplegic patients and realised that these people are the world's true super-heroes. When I came out of their room, I knew there was so much happiness emanating from them. They were smiling and laughing despite what they were going through. That's the gift of Guzaarish — it changed my perspective about how I look at the world."



Third outing

Guzaarish, directed by award-winning Sanjay Leela Bhansali, is about a relationship that develops between a quadriplegic man and his nurse (Aishwarya Rai Bachchan). The love story — the third Ash-Hrithik outing after the successful Dhoom 2 and Jodhaa Akbar — also touches on the widely-debated subject of euthanasia. But ask Roshan about it, and he claims that the film is not about mercy-killing. "Yes, euthanasia is a part of the film, yet Guzaarish is not about it. It's about the triumph of the human spirit.

"Ethan is not a man who gave up on life, despite being paralysed for 15 long years. Strong-willed and happy, he has a full life during his paralysis. Remember, he lets go only when his body begins to deteriorate and starts to give up on him. He wants to go before he turns into a vegetable."

The film has several complicated layers, adds the 36-year-old. And, who better than Bollywood's go-to director for disability-centric films to head the project? Bhansali's debut film was Khamoshi — a drama about a girl's struggle to communicate with her deaf-mute parents — and his acclaimed feature Black, starring Amitabh Bachchan and Rani Mukherji, revolved around a deaf and blind girl's relationship with her mentor. His reputation of being an eccentric taskmaster also precedes him. But Roshan jumps to his defence when you ask him about being directed by the maverick filmmaker.

‘All-consuming passion'

"Yes, I have heard about his reputation, but I am sorry to tell you that it's all a bunch of lies. Mr Bhansali is the calmest director I have worked with. People just misconstrue his all-consuming passion. Many people just don't understand that kind of energy."

He adds that he sees a slice of himself in Bhansali. "I am very similar, because sometimes when a scene drives me crazy, I wake up in the middle of the night at 4am to go through the lines again. I am in the same world as he is. I understand it and I love that about him. I used that energy to portray Ethan."

But the Jodhaa Akbar star's best efforts have not always translated into box-office gold. This year, his highly-anticipated romance Kites, starring Mexican actress Barbara Mori, failed to strike a chord with Bollywood buffs.
"Nobody really knows about success or failure. I can't foresee all that. I believe in karma, and eventually I know I will get what I deserve. There's no fear, but just a string of shiny, happy days where I go to work smiling.

"Even if I encounter failure — you just keep walking."

Did you know?

Hrithik Roshan is not just flexing his acting muscles in Guzaarish. He has even sung a song to lend authenticity to his character.
9:56 PM Posted by Unknown 0

Hrithik Roshan and Aishwarya Rai Bachchan- Jodi is the best

Source -  ApunKaChoice poll
By Aparajita Ghosh
Mon, Nov 08, 2010 08:25:38 GMT

In the run-up to the release ofAction Replayy, we had asked our readers to vote on Aishwarya Rai’s best jodi with different co-stars. The verdict is out.


We had deliberately omitted Salman Khan and Shahrukh Khan from the poll options because Ash hasn’t worked with them in a long time. Rather the choices were betweenAkshay KumarHrithik Roshan andAbhishek Bachchan



As always, our readers participated actively and 2537 votes were cast, of which 49 percent votes went to Ash and Hrithik. The duo has so far worked in three films: Dhoom 2,Jodhaa Akbar and the soon-to-release Guzaarish

Ash’s jodi with Akshay is the second best with 45 percent votes. Ash and Akki have worked in two films so far: Khakee and Action Replayy

Ironically, Ash’s onscreen jodi with hubby Abhishek couldn’t get much approval from netizens. The duo got just 6 percent votes.
9:33 PM Posted by Unknown 0

Hrithik on the sets of ZEE Saregama





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9:10 PM Posted by Unknown 1

Hrithik - Aishwarya at Gulf news office to promote Guzaarish






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9:06 PM Posted by Unknown 0

Sunday, October 24, 2010

Guzaarish - Making of Music

 
 
Making of Title Song " Guzaarish Hai "
 
 
Making of Sau Gram Zindagi
 
10:45 AM Posted by Unknown 0

Guzaarish - EXCLUSIVE *HQ* Stills - Hrithik Roshan & Aishwarya Rai Bachchan








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10:32 AM Posted by Unknown 0

Guzaarish - On The Set Pictures - Hrithik Roshan & Aishwarya Rai Bachchan






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10:21 AM Posted by Unknown 1

Guzaarish Music Launch






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10:13 AM Posted by Unknown 0

Saturday, October 16, 2010

Guzaarish *HQ*Wallpapers






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5:22 AM Posted by Unknown 0

Guzaarish music review - Planet Bollywood ( 8.5/ 10)

Reviewed by: Atta Khan  - Rating: 8.5 / 10



You can’t question the vision of Sanjay Leela Bhansali (SLB)...it’s right up there with the best film-makers out there. He’s one of these rare breed that translates that vision into the various components that make a superlative film; script, cinematography, acting, direction and of course music- put simply, it has to be unique or it’s not deemed good enough (in the eyes of SLB). So it’s no surprise we got superb soundtracks for his earlier films including Khamoshi and HDDCS (arguably the best Hindi soundtrack since its release in 1999). Unfortunately, that bar dipped slightly with Devdas and Saawariya (although the background music to Black was awesome!) so it comes as no surprise that he has backed someone else to produce the soundtrack for his latest film, Guzaarish, but who might that music composer be? Well amazingly (shock of all shocks), it’s SLB himself!
According to Mr Bhansali the reason is a simple one. He understands the characters of Guzaarish and “what they would express musically” more than any other music director would and only he was able to unearth the deep thoughts in his mind about the film (through the music). Without giving too much away, the film’s concepts of life, hope, soul, romance, reminiscence and sadness are felt throughout the bumper soundtrack to Guzaarish but that has been a trademark we have come to associate with the music to his films , the only question is can he recreate the magic himself this time? Well think about it for a second, if the visionary film-maker wants perfection it’s very likely he has been shadowing the soundtrack productions for his previous films (he already produced a song in Saawariya), so much so that he now feels he has the experience to take on the mantle and direct the music himself…but is it a risk worth taking?
With a radio playing in the background (note the ‘radio’ plays an important role in the film), the music switches to Track 1:“Guzaarish”  , an emotional song full of recollection and a feeling of hope against a deep, often forlorn longing or guzaarish. The music is very slow to get off the mark but is eventually brought to life with the soft strings of a guitar and a harmonium whilst in the interludes; a haunting violin plays in the background. But you won’t have time to dwell on the music too long because it’s the singing and lyrics that are the true winners here. K.K. is in truly bewitching form and sings with emotions he once reserved for the amazing “Tadap Tadap” (HDDCS). Backing vocals are performed by Shail Hada who was founded by Monty in Saawariya. Words by Turaz are powerful. Words like “farmayish”, “guzaarish”, “khwaahish” are poetically symbolic and portray the feelings of the character perfectly. Overall, a good start to the soundtrack although nothing spectacular either as Bhansali relies on the singer and writer to make it worth a listen. Still, this is likely to sound better on screen. Let’s move on.
“Thodi si meethi hai, zara si mirchi hai, sau gram zindagi yeh, sambhaal ke kharchi hai”…You sense a lyrically powerful and poetic soundtrack as you are met with another superbly written song, Track 2: “Sau Gram Zindagi”  . A more upbeat song about the good things of life, Bhansali uses a beautiful piano piece as the foundation to the orchestration here and it works a treat. But note how the atmosphere is still laid back thanks to the sound of soft drums and odd bits such as the use of whistling etc. In the interludes the composer adds strings to enhance the atmosphere. Just as K.K performed to his peak for Track 1, Kunal Ganjawala does the same here in what ranks as one of his most memorable renditions ever. Listen out for the way he controls his slow and almost whisper quiet vocals, then stretching out hisalaaps to perfection- a testament to his true talents only fulfilled by few directors now including Bhansali. Words by Vibhu Puri are fresh, pure and sound splendid. Hats off to him. Guzaarish is getting better with each track- this song does help you appreciate life that little bit more…“life is good”.

Oh heavens above! There are mesmerising songs and then there is “Tera Zikr”  at Track 3, easily the best song from the album. The orchestration contains a bewitching fusion of traditional Indian instrumentation (harmonium, tabla, dholak) with Middle Eastern sounds (the majestic oud is the highlight). Bhansali then adds soul to the song with a string orchestra and violins. Note the heightened pace in the last minute of the song. He sprinkles further magic by keeping faith in Saawariya’s debutant singer Shail Hada who repays with arguably, his best performance to date. Rakesh Pandit’s qawwali type supporting vocals and alaaps are a brilliant touch. On top of that, you have to stand and admire the quirky but poetic words by Turaz: “Tera zikr hai ya itr hai, jab jab karta hoon, mehakta hoon behakta hoon chehakta hoon..” not to mention his clever choice of matching words e.g. “zikr itr” “fikr fakr”, “mehek, behek, chehek” “machal, uchal, pissahl”. This has rapidly become my favourite song of 2010 and as you can tell I’m in complete awe at its beauty- give it a few listens and you might well follow….pure magic from Bhansali the composer!
Track 4: “Saiba”  is a short but utterly charming love song with unique flavours and twists. To achieve this Bhansali uses the oud and the foreign vocals of Francois Castellino to give the song an international feel (right from the off). Your attention then switches to the lead singer, Vibhavari Joshi, who marks a sparkling debut here. Her voice performs like the soothing tide from a calming river, hypnotising you in the process (particularly her alaaps). Give credit to the director for picking fresh talent over the tried and tested. The rest of the song is a pleasant fusion of drum pads, harmonium and guitar strings. Vibhu Puri’s words are fresh and soulful. Overall, “Saiba” is a short song but has the potential to impress you nevertheless with its immersive qualities.
Bhansali has produced a number of atmospheric songs specifically for the film which is partly why we have such a bumper soundtrack but you will note their length is consequently shorter. The first of these, Track 5: “Jaane Kiske Khwaab”  , places greater emphasis on vocalist K.K, who is excellent again and the lyricist Turaz, who provides some touching lines. Music is kept in the background but listen closely and you will notice the deftest piano plucking, the softest guitar strings, and a haunting violin piece towards the end. Should be picturised well for the film.
Most of the songs so far appear to be picturised on the lead male actor. Track 6: “Udi”  gives some attention to the female lead. The international style and feel of the arrangements are similar to “Saiba”(harmonium, bass guitar, drum pads, dholak) but this time the melody is catchy, livelier and dare I say it, foot-tapping! Sunidhi Chauhan sings from the heart and Turaz glorifies the feeling of a free bird. Not a bad song but doesn’t make the same impact as “Saiba”. However as per Track 5, expect this to sound better in the film (picturised on Aishwarya Rai).

More romance is in the air with the gorgeous Track 7: “Keh Na Sakoon”  . The music is fairly understated but brimming with melody thanks to the purity of the dovetailing piano and guitar against a haunting strings orchestra by C.M.A. Shail Hada is just unbeatable in this subdued form and thanks to his stirring efforts in the album you know this guy is here to STAY! The romantic lines by the late Jagdish Joshi and Vibhu Puri are simply heart wrenching. Alas, just as the song begins to immerse you into heavenly bliss, it ends and leaves before your thirst is quenched. But there is a solution dear listener....Repeat! Repeat! Repeat!
And the quality of the soundtrack does not relent anytime soon because one of the best songs just happens to commence at Track 8:“Chaand Ki Katori”  . . Bhansali sticks to the C.M.A. strings orchestra and uses subtle guitar strings (from a traditional guitar and from a bass guitar) to create another haunting orchestral piece full of mastery and illusion that, given the attention, takes control of your mind and senses. It does ask for some patience to grow on you but after that it rewards you with a relaxed and peaceful mindset. Listen out for the unexpected flugel horn around midway through the track. The very talented sufi singer Harshdeep Kaur is finally offered an opportunity on the big stage and thankfully she takes it with both hands in what is, the song of her life...she is just mesmerising! The words by Vibhu are equally dreamy and whisk you away into another world. Bhansali recreates magic in a truly awesome song!
The mood picks up with another short but uplifting song at Track 9: Daayein Baayein”  . Some pleasant acoustic guitar strings (yes as you can gather the guitar features a lot in this album!) dominate proceedings here. K.K. is behind the mic again singing to words of hope and love from Turaz. Will suit the film but is too short to have any lasting impression as a stand alone song.
The bumper soundtrack ends with Track 10: “Dhundli Dhundli”  . Bhansali’s orchestra sits in the backdrop itching to explode into life but doesn’t until around the 1:25 mark and then does so albeit for a short period of time before retreating again. You see Bhansali’s strategy throughout has been such to allow the singer to take control of the song and let the music flow in the background. Well for his last offering, he chooses a tried and tested performer, in fact one of the greats in recent times, Shankar Mahadevan, who evokes a powerful rendition that befits the stature of the album and indeed, the film. Turaz appears to have saved all his best work for this album with another effort full of fancy metaphors and thought-provoking lines! Fine ending Mr Bhansali fine ending...
If you think Guzaarish is the type of music you will pick up and enjoy instantly, forget it! The music is slow, dreamy, sombre and soulful throughout and requires a lot of patience to fully appreciate. It helps to be in the right mood as well! But if you give it a try and come to the view that it is not your cup of tea, I suggest you check out the music after the film’s release- you are likely to enjoy it more after seeing it being played on the big screen for the simple reason that the music is hugely intertwined into the film’s characters, plot and atmosphere. So much so that it will undeniably augment the viewing experience. If you can digest the music from the CD alone then congratulations, you have just appreciated the best soundtrack of 2010. But it’s by no means perfect!
Whilst the music is very good overall (betters Saawariya) there are just too many tracks and too many tracks that sound similar! Clearly, it has been produced to add value to a film which has limited moods (thereby limiting the genres that could be catered for) but if you dissect the songs, the structure and arrangements are truly unique in only a few compositions. Not only that but the quality kind of dips after the first four tracks which is no surprise given the lack of expertise by the composer (saying that he does come back with the superb Track 7) So you are probably wondering, what about these other songs? Well, if you analyse those closely it’s clear that other factors elevate them to levels which still allows you to enjoy them. In other words SLB is helped immensely by noteworthy performances from his singers (particularly K.K. and Shail Hada who sing as well as you have ever heard them) and both lyricists deserve an award for some of the most bewitching poetry heard in recent years! Take out these factors and let’s face it, Guzaarish is probably only half the soundtrack it purports to be? But the reality is those factors are present and what we ultimately get is an excellent debut by SLB as music director. Take a bow Sanjay Leela!
5:10 AM Posted by Unknown 0

Hrithik Roshan at Big FM to promote Guzaarish




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5:04 AM Posted by Unknown 0

Wednesday, October 13, 2010

'The audience has always liked our pair on screen'

Source: Rediff
Date: October 13, 2010


Hrithik Roshan could not have been in any other profession but acting. His looks, actions, the way he carries himself -- everything seems just fit for a hero.

And of course, there are his acting skills. Never mind Kites, his earlier films like Kaho Na...Pyaar Hai, Lakshya and Jodhaa Akbar have proved that.

Hrithik is back with a new film called Guzaarish, directed by Sanjay Leela Bhansali. It co-stars Aishwarya Rai Bachchan, with whom Hrithik has done Dhoom 2 and Jodhaa Akbar.
In this film, the actor takes up perhaps one of his toughest film roles -- a paraplegic magician. He tells Srabanti Chakrabarti more about it.



You play a paraplegic magician in Guzaarish. This is a very unique role. Was the challenge responsible in you agreeing to take up the role?

The primary reason behind taking up this film was the script. I am playing a character called Ethan, who was a magician in his past but he becomes a paraplegic after an accident. After that, he gets restricted to his wheelchair. I met a few people suffering from this in Mumbai to get a better understanding of the character.

Ironically, when I finished reading the script, I got a severe problem with my knee and could barely move. I needed crutches. The doctor told me that I might have to stop working in films. But the script taught me a very important life lesson -- I'm not the only one with problems in life, many people have problems. And they may have far worse problems than me. This made me accept the fact that though I had a problem with my knee, I could still move on in life.

This film teaches you how to live life despite so many barriers. I want everyone to watch this film only for that reason.


You've never played a character like this before.

This character is very special and different from the others I have played until now. This man on the wheelchair is the coolest superman. Since I have met people like this, they are the real heroes for me. They kept me happy and energetic. They shared a lot with me: ideas, jokes and their feelings.

I am just representing one of them. While playing this character, I felt I should not let them down. I will be working for them for the rest of my life. It's sad that we don't have a proper organisation, which can take care of such people.

When you go abroad, you can see so many facilities for paralysed people. They can live life properly and have access to everything, thanks to their advanced wheelchairs and equipment -- they can even watch a movie.


It must have been a difficult job to play this role.

It was difficult. But whenever I felt I couldn't do it anymore, I thought of their faces. That would make me get up and perform my scenes.

Playing this character was like a responsibility. There were real people to inspire me. This is when the 12 years of work experience in the industry came in handy.

Every actor has their own approach. The first two months went in just preparing for the film. I used to meet paraplegic people on a regular basis, feel their emotions and observe how they went about living life. Only after I felt I was ready did I tell Mr Bhansali that we can start shooting.


Does this film send out a message on mercy killing?

The film doesn't take a stand on that. It tells the story of an individual. Ethan's message is to live. For 14 years he lived a paraplegic's life. In these 14 years, he won medals and awards, wrote books, did a daily radio show and many other things. He never gave up. He lived like a magician. A magician always performs in front of audience; he never fails.

Ethan reaches a point in his life when his body cannot function -- his lever, heart and kidneys stop functioning. He realises that the curtains have been drawn and now he needs to go to a place where he can hear the applause. He wants to gallop to the end. The message he sends is very clear -- live your life to the fullest.

If you ask me, I can't take a stand (on mercy killings). But I feel that people should be heard, there must be a forum and each case should be decided on its own merit.


You have changed your look for the film.

I had to make a lot of changes to my looks.

But let me tell you that after 15 years, I had batata vada, samosa and all sorts of junk food, which I was not allowed to have before! I had to look like a person, who was not in the pink of health. So I gained weight, stopped gyming and smoked a lot. Ethan could not have a muscular body so I had tone down that too.


How was your experience working with Sanjay Leela Bhansali?

I truly cherished working with him. Before I started working with him, many people told me that he was eccentric, that he would shout and so on. I was a bit scared because I am a very sensitive actor. If someone yells at me on the sets, I just stop working and leave.

But when I started my work with him, I was spellbound. The way he takes care of his cast is amazing. We clicked right from the beginning.


This is your third film with Aishwarya.

Yeah, when Mr Bhansali was narrating the script to me, he was toying with the idea of taking Ash for this project. The moment I heard that, I asked him to please go ahead. The audience has always liked our pair on screen.


You have also sung in the film.

Yes. I practiced the song for three days before recording it. The situation was very emotional and it was very difficult for me to emote through that song. But when Mr Bhansali explained it to me, I was astonished! He made it so easy and he is such a brilliant singer. Let me tell you -- he dances very well, he edits very well and he directs very well -- he is a multi-faceted genius!



10:28 PM Posted by Unknown 0

'Guzaarish' about real life superheroes: Hrithik Roshan

Source: Indian Express
Date: October 13, 2010


Bollywood heartthrob Hrithik Roshan, who earned the superhero tag with his dare devil stunts in 'Krissh', says that playing a paraplegic in his upcoming movie 'Guzaarish' is not an image change for him.

"I am a super character in the film. I have interacted with about 20 such patients who suffer from complete paralysis of the lower half of the body, including both legs which is mostly caused by damage of the spinal cord. They are real life superheroes and I am representing their emotions on screen", said Hrithik.

'Guzaarish', directed by Sanjay Leela Bhansali, releases on November 19. Aishwarya plays the romantic lead opposite Hrithik in this period film.

“The patients with whom I interacted during the making of the film have become my friends for life. They taught me that you are more than just your body. There is a reason to all your problems and in solving them...Instead of crying over problems, focus on how to face them," he says.

Hrithik, whose last film 'Kites' sank at the box office despite huge hype, says he never felt so responsible towards a character he has essayed on movies.

"I am representing the lives of these superheroes on screen. Apart from the fact that Bhansali's script moved me, I felt the responsibility of telling the world the story of such incredible people...my character portrays how to live life despite struggles and problems after meeting with a near-fatal accident during a performance as magician," he said.

The actor says he spent several hours with the patients to understand what they go through, what they think and what are their needs.

Recalling his state of mind when he was going through the 'Guzaarish' script, Hrithik says he was nursing a knee problem and doctors told him that the knee will never be okay.

"My state of mind helped me to identify with the story. The script energised me so much that I was not depressed about my knee problem anymore," he adds.

About his experience of working with Bhansali, Hrithik admits that people had warned him about the maverick filmmaker that he is mad and shouts at people. "However, even the crew was surprised that there was calm and peace on the sets and we bonded so well. I feel our equation worked because of the kind of actor I am and the kind of person he is. When two creative people's minds work towards the same goal, the equation is a happy one," he says.

Hrithik shed his debonair good looks to look unwell and fat for the film, which marks Bhansali's return after the debacle of 'Saawariya' in 2007.

The actor says that for once it was fun to let go of control. "After 15 years of disciplined diet, workout, I decided to live on another extreme. I stopped going to the gym and fed myself batata wadas and samosas, popcorns and other fried stuff for six to seven months."

Hrithik says 'Guzaarish' does not take any stand on mercy killing. "It is an individual story and the audience has to see the issue of mercy killing from the point of view of the character. It is not about mercy killing but the strength of a paraplegic who lives a full life of 14 years after the accident and win accolades. When he finds out that his body is failing, he asks doctors if his organs like liver, kidney and lungs can be saved. He has lived a magician's life. He does not want to watch curtains come down...He wants to gallop to the end with his eyes open," Hrithik says about the role.

Bhansali, who returned to direction after the debacle of 'Saawariya' in 2007, is also debuting as a music director and choreographer with the film. "I was shocked to discover that Bhansali is one of the best dancers we have and the most unbelievable music director," says the actor, who is among the best dancers in the industry.

Hrithik has also sung a song in the movie but says it was challenging. "The song was hard because it is emotional and I had to sound real."

The actor says that he trained the hardest to practise spin in one of the dance sequence. "I trained for a month. It was not a long piece of dance but there was lot of jazz, ballet where I was required to spin as there is a ball in my hand and I am playing with it as well as dancing. None of my songs uptill now have spin because I am very bad at it," he said.

Asked if he saw playback as a parallel to his acting career, he said he enjoyed music and singing. But he would not sing if he feels it is not necessary. "For a film like 'Kaho Na Pyar Hai', you needed a perfect singer and I would not even try. But, I would not mind singing for my character in 'Guzaarish' because it comes from the character's soul and other's voice would not sound real," he said.

When asked about working with Aishwarya Rai Bachchan for the third time, he hoped that they could get third time lucky. "But, one can't really foretell what is in store for the film. If the audience had liked our combination in previous movies, I'm sure they will not be disappointed this . She is one of my favourite co-stars because our approach to work is similar," he added.

The actor said when he made friends with real life paraplegic patients, there was little bit of surprise because he did not expect them to be so normal. "My lasting impression about them was pure love, understanding and gratitude," he said.

Hrithik lamented that there is not a single charitable organisation or a specific unit that takes care of such patients. They are surviving as individuals and spread out. "There is one Ashutosh who lives with his ageing mother and is doing well for himself. I know him for the past one year. He has taught me that nothing is impossible," he said.




10:27 PM Posted by Unknown 0

Guzaarish – Mucis Review

Source - Music n Loud



Despite a minimal instrumental backing, Sanjay Leela Bhansali proves his arranging acumen in the ambient title song. The harmonica, the violin have all been perfectly placed to make the song instantly addictive. Also helping it on its way is the rendition by KK and Shail Hada. That said, one cannot ignore the resemblance to tracks from some of his older movies, particularlyHDDCS’s title song. Sau Gram Zindagi is a very 90s-sounding ghazal-based tune given a modern orchestral packaging, and coming inKunal Ganjawala’s voice it works quite well. Shail Hada reappears with Rakesh Pandit to deliver the poem-like Tera Zikr. Though the poem-line rules out an attractive tune for the song per se, SLB kind of makes it up with the arrangement. And wonderful singing by the vocalists, especially Rakesh.
And then things start going wrong. In Saiba, Bhansali’s attempt to fuse the Latino sound with Vibhavari Joshi’s semiclassical vocals falls flat. Somehow they don’t seem to meld well. KK’s Jaane Kiskesounds quite a bit like the title song in its general feel, but lacks the quality the latter has in orchestration. The only thing that keeps the track going is KK’s reliability. The composer bounces back with the next track, Udi, where the Arabic elements in arrangement make for a wonderful listen coupled with Sunidhi’s exuberance.
In Keh Na Sakoon SLB once again returns to the orchestral melancholic theme of arrangement and ends up being one too many in that line. Shail Hada does a good job behind the microphone but that is not enough to prop this one up. Chaand Ki Katori is an excellent display of Harshdeep Kaur’s vocal brilliance and it is her singing for major part that makes the song enjoyable.  Daayein Baayein sounds like a mellow version ofSaawariya’s title song and works in a similar manner, KK doing the honors for a third time. Dhundhli Dhundhli is credited to Shankar Mahadevan everywhere on the net, who the vocalist definitely is not.Roop Kumar Rathore may be. Apart from that conflict of facts I found nothing very interesting about the track, the orchestral arrangement getting way too tedious by now.
A decent debut as composer from Sanjay Leela Bhansali which would have been much better had he cut down on the number of songs, especially the similar-genre ones.  But that was the case with Saawariya too. One would have expected SLB to learn from his past mistakes. Hope he’s done that at least on the movie front.
Music Aloud Rating – 7.5/10
Recommended Tracks – Guzaarish, Udi, Chaand Ki Katori

10:21 PM Posted by Unknown 0