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Saturday, October 30, 2010

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Sunday, October 24, 2010

Guzaarish - Making of Music

 
 
Making of Title Song " Guzaarish Hai "
 
 
Making of Sau Gram Zindagi
 

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Hrithik Roshan On The Set Of KITES

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Guzaarish - EXCLUSIVE *HQ* Stills - Hrithik Roshan & Aishwarya Rai Bachchan








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Guzaarish - On The Set Pictures - Hrithik Roshan & Aishwarya Rai Bachchan






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Guzaarish Music Launch






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Saturday, October 16, 2010

Guzaarish *HQ*Wallpapers






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Hrithik at Farah Khan Jewellery Store Launch




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Guzaarish music review - Planet Bollywood ( 8.5/ 10)

Reviewed by: Atta Khan  - Rating: 8.5 / 10



You can’t question the vision of Sanjay Leela Bhansali (SLB)...it’s right up there with the best film-makers out there. He’s one of these rare breed that translates that vision into the various components that make a superlative film; script, cinematography, acting, direction and of course music- put simply, it has to be unique or it’s not deemed good enough (in the eyes of SLB). So it’s no surprise we got superb soundtracks for his earlier films including Khamoshi and HDDCS (arguably the best Hindi soundtrack since its release in 1999). Unfortunately, that bar dipped slightly with Devdas and Saawariya (although the background music to Black was awesome!) so it comes as no surprise that he has backed someone else to produce the soundtrack for his latest film, Guzaarish, but who might that music composer be? Well amazingly (shock of all shocks), it’s SLB himself!
According to Mr Bhansali the reason is a simple one. He understands the characters of Guzaarish and “what they would express musically” more than any other music director would and only he was able to unearth the deep thoughts in his mind about the film (through the music). Without giving too much away, the film’s concepts of life, hope, soul, romance, reminiscence and sadness are felt throughout the bumper soundtrack to Guzaarish but that has been a trademark we have come to associate with the music to his films , the only question is can he recreate the magic himself this time? Well think about it for a second, if the visionary film-maker wants perfection it’s very likely he has been shadowing the soundtrack productions for his previous films (he already produced a song in Saawariya), so much so that he now feels he has the experience to take on the mantle and direct the music himself…but is it a risk worth taking?
With a radio playing in the background (note the ‘radio’ plays an important role in the film), the music switches to Track 1:“Guzaarish”  , an emotional song full of recollection and a feeling of hope against a deep, often forlorn longing or guzaarish. The music is very slow to get off the mark but is eventually brought to life with the soft strings of a guitar and a harmonium whilst in the interludes; a haunting violin plays in the background. But you won’t have time to dwell on the music too long because it’s the singing and lyrics that are the true winners here. K.K. is in truly bewitching form and sings with emotions he once reserved for the amazing “Tadap Tadap” (HDDCS). Backing vocals are performed by Shail Hada who was founded by Monty in Saawariya. Words by Turaz are powerful. Words like “farmayish”, “guzaarish”, “khwaahish” are poetically symbolic and portray the feelings of the character perfectly. Overall, a good start to the soundtrack although nothing spectacular either as Bhansali relies on the singer and writer to make it worth a listen. Still, this is likely to sound better on screen. Let’s move on.
“Thodi si meethi hai, zara si mirchi hai, sau gram zindagi yeh, sambhaal ke kharchi hai”…You sense a lyrically powerful and poetic soundtrack as you are met with another superbly written song, Track 2: “Sau Gram Zindagi”  . A more upbeat song about the good things of life, Bhansali uses a beautiful piano piece as the foundation to the orchestration here and it works a treat. But note how the atmosphere is still laid back thanks to the sound of soft drums and odd bits such as the use of whistling etc. In the interludes the composer adds strings to enhance the atmosphere. Just as K.K performed to his peak for Track 1, Kunal Ganjawala does the same here in what ranks as one of his most memorable renditions ever. Listen out for the way he controls his slow and almost whisper quiet vocals, then stretching out hisalaaps to perfection- a testament to his true talents only fulfilled by few directors now including Bhansali. Words by Vibhu Puri are fresh, pure and sound splendid. Hats off to him. Guzaarish is getting better with each track- this song does help you appreciate life that little bit more…“life is good”.

Oh heavens above! There are mesmerising songs and then there is “Tera Zikr”  at Track 3, easily the best song from the album. The orchestration contains a bewitching fusion of traditional Indian instrumentation (harmonium, tabla, dholak) with Middle Eastern sounds (the majestic oud is the highlight). Bhansali then adds soul to the song with a string orchestra and violins. Note the heightened pace in the last minute of the song. He sprinkles further magic by keeping faith in Saawariya’s debutant singer Shail Hada who repays with arguably, his best performance to date. Rakesh Pandit’s qawwali type supporting vocals and alaaps are a brilliant touch. On top of that, you have to stand and admire the quirky but poetic words by Turaz: “Tera zikr hai ya itr hai, jab jab karta hoon, mehakta hoon behakta hoon chehakta hoon..” not to mention his clever choice of matching words e.g. “zikr itr” “fikr fakr”, “mehek, behek, chehek” “machal, uchal, pissahl”. This has rapidly become my favourite song of 2010 and as you can tell I’m in complete awe at its beauty- give it a few listens and you might well follow….pure magic from Bhansali the composer!
Track 4: “Saiba”  is a short but utterly charming love song with unique flavours and twists. To achieve this Bhansali uses the oud and the foreign vocals of Francois Castellino to give the song an international feel (right from the off). Your attention then switches to the lead singer, Vibhavari Joshi, who marks a sparkling debut here. Her voice performs like the soothing tide from a calming river, hypnotising you in the process (particularly her alaaps). Give credit to the director for picking fresh talent over the tried and tested. The rest of the song is a pleasant fusion of drum pads, harmonium and guitar strings. Vibhu Puri’s words are fresh and soulful. Overall, “Saiba” is a short song but has the potential to impress you nevertheless with its immersive qualities.
Bhansali has produced a number of atmospheric songs specifically for the film which is partly why we have such a bumper soundtrack but you will note their length is consequently shorter. The first of these, Track 5: “Jaane Kiske Khwaab”  , places greater emphasis on vocalist K.K, who is excellent again and the lyricist Turaz, who provides some touching lines. Music is kept in the background but listen closely and you will notice the deftest piano plucking, the softest guitar strings, and a haunting violin piece towards the end. Should be picturised well for the film.
Most of the songs so far appear to be picturised on the lead male actor. Track 6: “Udi”  gives some attention to the female lead. The international style and feel of the arrangements are similar to “Saiba”(harmonium, bass guitar, drum pads, dholak) but this time the melody is catchy, livelier and dare I say it, foot-tapping! Sunidhi Chauhan sings from the heart and Turaz glorifies the feeling of a free bird. Not a bad song but doesn’t make the same impact as “Saiba”. However as per Track 5, expect this to sound better in the film (picturised on Aishwarya Rai).

More romance is in the air with the gorgeous Track 7: “Keh Na Sakoon”  . The music is fairly understated but brimming with melody thanks to the purity of the dovetailing piano and guitar against a haunting strings orchestra by C.M.A. Shail Hada is just unbeatable in this subdued form and thanks to his stirring efforts in the album you know this guy is here to STAY! The romantic lines by the late Jagdish Joshi and Vibhu Puri are simply heart wrenching. Alas, just as the song begins to immerse you into heavenly bliss, it ends and leaves before your thirst is quenched. But there is a solution dear listener....Repeat! Repeat! Repeat!
And the quality of the soundtrack does not relent anytime soon because one of the best songs just happens to commence at Track 8:“Chaand Ki Katori”  . . Bhansali sticks to the C.M.A. strings orchestra and uses subtle guitar strings (from a traditional guitar and from a bass guitar) to create another haunting orchestral piece full of mastery and illusion that, given the attention, takes control of your mind and senses. It does ask for some patience to grow on you but after that it rewards you with a relaxed and peaceful mindset. Listen out for the unexpected flugel horn around midway through the track. The very talented sufi singer Harshdeep Kaur is finally offered an opportunity on the big stage and thankfully she takes it with both hands in what is, the song of her life...she is just mesmerising! The words by Vibhu are equally dreamy and whisk you away into another world. Bhansali recreates magic in a truly awesome song!
The mood picks up with another short but uplifting song at Track 9: Daayein Baayein”  . Some pleasant acoustic guitar strings (yes as you can gather the guitar features a lot in this album!) dominate proceedings here. K.K. is behind the mic again singing to words of hope and love from Turaz. Will suit the film but is too short to have any lasting impression as a stand alone song.
The bumper soundtrack ends with Track 10: “Dhundli Dhundli”  . Bhansali’s orchestra sits in the backdrop itching to explode into life but doesn’t until around the 1:25 mark and then does so albeit for a short period of time before retreating again. You see Bhansali’s strategy throughout has been such to allow the singer to take control of the song and let the music flow in the background. Well for his last offering, he chooses a tried and tested performer, in fact one of the greats in recent times, Shankar Mahadevan, who evokes a powerful rendition that befits the stature of the album and indeed, the film. Turaz appears to have saved all his best work for this album with another effort full of fancy metaphors and thought-provoking lines! Fine ending Mr Bhansali fine ending...
If you think Guzaarish is the type of music you will pick up and enjoy instantly, forget it! The music is slow, dreamy, sombre and soulful throughout and requires a lot of patience to fully appreciate. It helps to be in the right mood as well! But if you give it a try and come to the view that it is not your cup of tea, I suggest you check out the music after the film’s release- you are likely to enjoy it more after seeing it being played on the big screen for the simple reason that the music is hugely intertwined into the film’s characters, plot and atmosphere. So much so that it will undeniably augment the viewing experience. If you can digest the music from the CD alone then congratulations, you have just appreciated the best soundtrack of 2010. But it’s by no means perfect!
Whilst the music is very good overall (betters Saawariya) there are just too many tracks and too many tracks that sound similar! Clearly, it has been produced to add value to a film which has limited moods (thereby limiting the genres that could be catered for) but if you dissect the songs, the structure and arrangements are truly unique in only a few compositions. Not only that but the quality kind of dips after the first four tracks which is no surprise given the lack of expertise by the composer (saying that he does come back with the superb Track 7) So you are probably wondering, what about these other songs? Well, if you analyse those closely it’s clear that other factors elevate them to levels which still allows you to enjoy them. In other words SLB is helped immensely by noteworthy performances from his singers (particularly K.K. and Shail Hada who sing as well as you have ever heard them) and both lyricists deserve an award for some of the most bewitching poetry heard in recent years! Take out these factors and let’s face it, Guzaarish is probably only half the soundtrack it purports to be? But the reality is those factors are present and what we ultimately get is an excellent debut by SLB as music director. Take a bow Sanjay Leela!

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Hrithik Roshan at Big FM to promote Guzaarish




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Wednesday, October 13, 2010

'The audience has always liked our pair on screen'

Source: Rediff
Date: October 13, 2010


Hrithik Roshan could not have been in any other profession but acting. His looks, actions, the way he carries himself -- everything seems just fit for a hero.

And of course, there are his acting skills. Never mind Kites, his earlier films like Kaho Na...Pyaar Hai, Lakshya and Jodhaa Akbar have proved that.

Hrithik is back with a new film called Guzaarish, directed by Sanjay Leela Bhansali. It co-stars Aishwarya Rai Bachchan, with whom Hrithik has done Dhoom 2 and Jodhaa Akbar.
In this film, the actor takes up perhaps one of his toughest film roles -- a paraplegic magician. He tells Srabanti Chakrabarti more about it.



You play a paraplegic magician in Guzaarish. This is a very unique role. Was the challenge responsible in you agreeing to take up the role?

The primary reason behind taking up this film was the script. I am playing a character called Ethan, who was a magician in his past but he becomes a paraplegic after an accident. After that, he gets restricted to his wheelchair. I met a few people suffering from this in Mumbai to get a better understanding of the character.

Ironically, when I finished reading the script, I got a severe problem with my knee and could barely move. I needed crutches. The doctor told me that I might have to stop working in films. But the script taught me a very important life lesson -- I'm not the only one with problems in life, many people have problems. And they may have far worse problems than me. This made me accept the fact that though I had a problem with my knee, I could still move on in life.

This film teaches you how to live life despite so many barriers. I want everyone to watch this film only for that reason.


You've never played a character like this before.

This character is very special and different from the others I have played until now. This man on the wheelchair is the coolest superman. Since I have met people like this, they are the real heroes for me. They kept me happy and energetic. They shared a lot with me: ideas, jokes and their feelings.

I am just representing one of them. While playing this character, I felt I should not let them down. I will be working for them for the rest of my life. It's sad that we don't have a proper organisation, which can take care of such people.

When you go abroad, you can see so many facilities for paralysed people. They can live life properly and have access to everything, thanks to their advanced wheelchairs and equipment -- they can even watch a movie.


It must have been a difficult job to play this role.

It was difficult. But whenever I felt I couldn't do it anymore, I thought of their faces. That would make me get up and perform my scenes.

Playing this character was like a responsibility. There were real people to inspire me. This is when the 12 years of work experience in the industry came in handy.

Every actor has their own approach. The first two months went in just preparing for the film. I used to meet paraplegic people on a regular basis, feel their emotions and observe how they went about living life. Only after I felt I was ready did I tell Mr Bhansali that we can start shooting.


Does this film send out a message on mercy killing?

The film doesn't take a stand on that. It tells the story of an individual. Ethan's message is to live. For 14 years he lived a paraplegic's life. In these 14 years, he won medals and awards, wrote books, did a daily radio show and many other things. He never gave up. He lived like a magician. A magician always performs in front of audience; he never fails.

Ethan reaches a point in his life when his body cannot function -- his lever, heart and kidneys stop functioning. He realises that the curtains have been drawn and now he needs to go to a place where he can hear the applause. He wants to gallop to the end. The message he sends is very clear -- live your life to the fullest.

If you ask me, I can't take a stand (on mercy killings). But I feel that people should be heard, there must be a forum and each case should be decided on its own merit.


You have changed your look for the film.

I had to make a lot of changes to my looks.

But let me tell you that after 15 years, I had batata vada, samosa and all sorts of junk food, which I was not allowed to have before! I had to look like a person, who was not in the pink of health. So I gained weight, stopped gyming and smoked a lot. Ethan could not have a muscular body so I had tone down that too.


How was your experience working with Sanjay Leela Bhansali?

I truly cherished working with him. Before I started working with him, many people told me that he was eccentric, that he would shout and so on. I was a bit scared because I am a very sensitive actor. If someone yells at me on the sets, I just stop working and leave.

But when I started my work with him, I was spellbound. The way he takes care of his cast is amazing. We clicked right from the beginning.


This is your third film with Aishwarya.

Yeah, when Mr Bhansali was narrating the script to me, he was toying with the idea of taking Ash for this project. The moment I heard that, I asked him to please go ahead. The audience has always liked our pair on screen.


You have also sung in the film.

Yes. I practiced the song for three days before recording it. The situation was very emotional and it was very difficult for me to emote through that song. But when Mr Bhansali explained it to me, I was astonished! He made it so easy and he is such a brilliant singer. Let me tell you -- he dances very well, he edits very well and he directs very well -- he is a multi-faceted genius!



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'Guzaarish' about real life superheroes: Hrithik Roshan

Source: Indian Express
Date: October 13, 2010


Bollywood heartthrob Hrithik Roshan, who earned the superhero tag with his dare devil stunts in 'Krissh', says that playing a paraplegic in his upcoming movie 'Guzaarish' is not an image change for him.

"I am a super character in the film. I have interacted with about 20 such patients who suffer from complete paralysis of the lower half of the body, including both legs which is mostly caused by damage of the spinal cord. They are real life superheroes and I am representing their emotions on screen", said Hrithik.

'Guzaarish', directed by Sanjay Leela Bhansali, releases on November 19. Aishwarya plays the romantic lead opposite Hrithik in this period film.

“The patients with whom I interacted during the making of the film have become my friends for life. They taught me that you are more than just your body. There is a reason to all your problems and in solving them...Instead of crying over problems, focus on how to face them," he says.

Hrithik, whose last film 'Kites' sank at the box office despite huge hype, says he never felt so responsible towards a character he has essayed on movies.

"I am representing the lives of these superheroes on screen. Apart from the fact that Bhansali's script moved me, I felt the responsibility of telling the world the story of such incredible people...my character portrays how to live life despite struggles and problems after meeting with a near-fatal accident during a performance as magician," he said.

The actor says he spent several hours with the patients to understand what they go through, what they think and what are their needs.

Recalling his state of mind when he was going through the 'Guzaarish' script, Hrithik says he was nursing a knee problem and doctors told him that the knee will never be okay.

"My state of mind helped me to identify with the story. The script energised me so much that I was not depressed about my knee problem anymore," he adds.

About his experience of working with Bhansali, Hrithik admits that people had warned him about the maverick filmmaker that he is mad and shouts at people. "However, even the crew was surprised that there was calm and peace on the sets and we bonded so well. I feel our equation worked because of the kind of actor I am and the kind of person he is. When two creative people's minds work towards the same goal, the equation is a happy one," he says.

Hrithik shed his debonair good looks to look unwell and fat for the film, which marks Bhansali's return after the debacle of 'Saawariya' in 2007.

The actor says that for once it was fun to let go of control. "After 15 years of disciplined diet, workout, I decided to live on another extreme. I stopped going to the gym and fed myself batata wadas and samosas, popcorns and other fried stuff for six to seven months."

Hrithik says 'Guzaarish' does not take any stand on mercy killing. "It is an individual story and the audience has to see the issue of mercy killing from the point of view of the character. It is not about mercy killing but the strength of a paraplegic who lives a full life of 14 years after the accident and win accolades. When he finds out that his body is failing, he asks doctors if his organs like liver, kidney and lungs can be saved. He has lived a magician's life. He does not want to watch curtains come down...He wants to gallop to the end with his eyes open," Hrithik says about the role.

Bhansali, who returned to direction after the debacle of 'Saawariya' in 2007, is also debuting as a music director and choreographer with the film. "I was shocked to discover that Bhansali is one of the best dancers we have and the most unbelievable music director," says the actor, who is among the best dancers in the industry.

Hrithik has also sung a song in the movie but says it was challenging. "The song was hard because it is emotional and I had to sound real."

The actor says that he trained the hardest to practise spin in one of the dance sequence. "I trained for a month. It was not a long piece of dance but there was lot of jazz, ballet where I was required to spin as there is a ball in my hand and I am playing with it as well as dancing. None of my songs uptill now have spin because I am very bad at it," he said.

Asked if he saw playback as a parallel to his acting career, he said he enjoyed music and singing. But he would not sing if he feels it is not necessary. "For a film like 'Kaho Na Pyar Hai', you needed a perfect singer and I would not even try. But, I would not mind singing for my character in 'Guzaarish' because it comes from the character's soul and other's voice would not sound real," he said.

When asked about working with Aishwarya Rai Bachchan for the third time, he hoped that they could get third time lucky. "But, one can't really foretell what is in store for the film. If the audience had liked our combination in previous movies, I'm sure they will not be disappointed this . She is one of my favourite co-stars because our approach to work is similar," he added.

The actor said when he made friends with real life paraplegic patients, there was little bit of surprise because he did not expect them to be so normal. "My lasting impression about them was pure love, understanding and gratitude," he said.

Hrithik lamented that there is not a single charitable organisation or a specific unit that takes care of such patients. They are surviving as individuals and spread out. "There is one Ashutosh who lives with his ageing mother and is doing well for himself. I know him for the past one year. He has taught me that nothing is impossible," he said.




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Guzaarish – Mucis Review

Source - Music n Loud



Despite a minimal instrumental backing, Sanjay Leela Bhansali proves his arranging acumen in the ambient title song. The harmonica, the violin have all been perfectly placed to make the song instantly addictive. Also helping it on its way is the rendition by KK and Shail Hada. That said, one cannot ignore the resemblance to tracks from some of his older movies, particularlyHDDCS’s title song. Sau Gram Zindagi is a very 90s-sounding ghazal-based tune given a modern orchestral packaging, and coming inKunal Ganjawala’s voice it works quite well. Shail Hada reappears with Rakesh Pandit to deliver the poem-like Tera Zikr. Though the poem-line rules out an attractive tune for the song per se, SLB kind of makes it up with the arrangement. And wonderful singing by the vocalists, especially Rakesh.
And then things start going wrong. In Saiba, Bhansali’s attempt to fuse the Latino sound with Vibhavari Joshi’s semiclassical vocals falls flat. Somehow they don’t seem to meld well. KK’s Jaane Kiskesounds quite a bit like the title song in its general feel, but lacks the quality the latter has in orchestration. The only thing that keeps the track going is KK’s reliability. The composer bounces back with the next track, Udi, where the Arabic elements in arrangement make for a wonderful listen coupled with Sunidhi’s exuberance.
In Keh Na Sakoon SLB once again returns to the orchestral melancholic theme of arrangement and ends up being one too many in that line. Shail Hada does a good job behind the microphone but that is not enough to prop this one up. Chaand Ki Katori is an excellent display of Harshdeep Kaur’s vocal brilliance and it is her singing for major part that makes the song enjoyable.  Daayein Baayein sounds like a mellow version ofSaawariya’s title song and works in a similar manner, KK doing the honors for a third time. Dhundhli Dhundhli is credited to Shankar Mahadevan everywhere on the net, who the vocalist definitely is not.Roop Kumar Rathore may be. Apart from that conflict of facts I found nothing very interesting about the track, the orchestral arrangement getting way too tedious by now.
A decent debut as composer from Sanjay Leela Bhansali which would have been much better had he cut down on the number of songs, especially the similar-genre ones.  But that was the case with Saawariya too. One would have expected SLB to learn from his past mistakes. Hope he’s done that at least on the movie front.
Music Aloud Rating – 7.5/10
Recommended Tracks – Guzaarish, Udi, Chaand Ki Katori

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Saturday, October 9, 2010

Guzaarish - Udi Song Promo *HD* - Hrithik Roshan - Aishwarya Rai



Watch HD : http://www.youtube.com/watch?v=crFEThxkB4I

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Sanjay Leela Bhansali presents to you the melodious title track composed by the man himself for his upcoming movie Guzaarish.

Starring Hrithik Roshan & Aishwarya Rai Bachchan.

The song has been sung by Sunidhi Chauhan, Shail Hada and Lyrics by Turaz.


The film Releases on 19th November 2010.
The Music Releasing on 15th October 2010.

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Hrithik at the opening of Prozone Mall







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Friday, October 8, 2010

Hrithik Roshan walks the ramp With Amitabh Bachchan & Shah Rukh Khan at HDIL Couture Week 2010



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Shah Rukh Khan, Amitabh Bachchan & Hrithik Roshan have fun on the ramp walking for Karan Johar & Varun Bahl at the HDIL India Couture Week 2010 at Hotel Grand Hyatt in Kalina, Mumbai.


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Hrithik Roshan walks the ramp With Amitabh Bachchan & Shah Rukh Khan at HDIL Couture Week 2010







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Thursday, October 7, 2010

Hrithik Roshan & Aishwarya Rai's Mystical Guzaarish - Title Track - Bas Itni Si Tumse Guzaarish Hai



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Sanjay Leela Bhansali presents to you the melodious title track composed by the man himself for his upcoming movie Guzaarish.

Starring Hrithik Roshan & Aishwarya Rai Bachchan.

The song has been sung by KK & Shail Hada and Lyrics by Turaz.

The film Releases on 19th November 2010.
The Music Releasing on 15th October 2010.


Bas Itni Si...
Tumse Guzaarish Hai,
Haan Haan Guzaarish Hai.
Yeh Joh Barish Hai
Dekho Na Yeh Joh Barish Hai
Ismai Teri Bahon Mein Mar Jaon...
Bas Itni Si... Choti Si, Ek Khawish Hai

Bas Itni Si...
Tumse Guzaarish Hai,
Haan Haan........
Guzaarish Hai..Guzaarish Hai..

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Monday, October 4, 2010

Few clips from Guzaarish Song Promo " Bas Ek Guzaarish "


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Audio CDs of Guzaarish will be out on 15th October, 2010.

Courtesy - UTV Motion Pictures

The soul stirring music of the magical love story GUZAARISH crafted by Sanjay Leela Bhansali will be out this 15th October! Take a look at the entire track list, just so that you know what to expect out of this album! Composed by the magician 'Sanjay Leela Bhansali' himself, , the music will surely touch your soul. *Music on T-series*

Guzaarish Soundtrack List


1. GUZAARISH - Singer KK & Shail Hada
2. Sau Gram Zindagi - Singer Kunal Ganjawala
3. Tera Zikr - Singer Shail Hada, Rakesh Pandit
4. Saiba - Singer Vibhavari Joshi, Francois
5. Jaane Kiske Khwaab - Singer KK
6. Udi - Singer Sunidhi Chauhan, Shail Hada
7. Keh Na Sakoon - Singer Shail Hada
8. Chand ki Katori - Harshdeep Kaur
9. Daayein Baayein - Singer KK
10. Dhundli Dhundli - Singer Shankar Mahadevan

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